IT JUST HAPPEN
J+S= Love
J+P= Love
J+S+P=?
SEC 1. INT. SMALL TV SET. INTERIOR LIGHT
We can see a small tv set with the lights off.
It is very simple. In the center there is a desk. On the
desk there are a small piano and a laptop. We can see a
girl dressed up with white trousers and a black blouse. She
is setting a small digital camera in its place. The camera
falls. Black.
J
Shit!
J is setting the camera property. She tries the balance and
the zoom.
She switches the lights on. J presses a button on the piano
and a melody starts to play. She is showing some cards with
the credits on in it.
J
(Coughs) tuntururum tuntururum.
We can see how J takes her seat.
J
Ok. Welcome once more to another
session of "How to create your
own comic romance sometimes
tragic but with a very good
ending blockbuster movie"
We can hear people clapping
J
With a few steps I will show you
how to transform those little
stories of your minds into a
successful romantic movie. Yeah…
but no. Ok. If you are ready. Are
you ready?(CONT’D)
3.
we can hear people screaming
AUDIENCE (VO)
yes!!
J
Ok
YEAH! OK. Step number one: the
title. Not be very complicated
but always linked with the story.
SEC 2. EXT. CITY LANDSCAPE. DAY
J NARRATOR (OVER)
Yes.
A title like : It just happen
SEC 1. INT. SMALL TV SET. INTERIOR LIGHT
J NARRATOR
All pure imagination.
Ok, then. It's time for the next
important step. Step number 2:
J raises a piece of carton saying: step 2: create your own
hero and with some drawings in it.
J NARRATOR
All movies have their perfect
heroes. That is essential. It
must be somebody with an internal
fight and lots of personality.
4.
(MORE)
SEC 2. EXT. CITY LANSCAPE.DAY
J NARRATOR (OVER)
For this occasion I have
chosen... Here it is, a girl,
very common girl, not an
extraordinary beauty. With sexy
clothes. No. Sport, maybe. No, I
think, kind of modern but with
style. With very short hair. Yes.
Tattoo. No, not that much. Yeah,
rebel but. Yes. I think… Yes,
Perfect. Perfect. And then… Let
them introduce themselves
We can see how the female character changes with the
narrator's comments.
(CONT’D)
SEC 1. INT. SMALL TV SET. INTERIOR LIGHT
J
It is always easier and cheaper.
SEC 2. EXT. CITY LANSCAPE.DAY
J CHARACTER
Hi, my name is (CONT’D)
SEC 1. INT. SMALL TV SET. INTERIOR LIGHT
J
J
5.
(CONT'D)
SEC 2. EXT. CITY LANSCAPE. URBAN STREET DAY
J is walking.
J (CONT’D)
Hi my name is J and well, you
just caught me spending my time
as I usually do.
SEC 3. EXT. URBAN STREET. MUSIC
It sounds the music: how do you know me, fingertips. The
music continue still the scene 13
J is walking the streets with different outfits (wigs and
mini skirts)
SEC 4. INT. J’S APARTMENT. NIGHT
J is sitting over her bed in front of a tv. She is eating
icecream and learning different accents from movies.
J
(Italian accent)
I can understand perfectly, bello
(Spanish accent) Since I met you
my heart is bumping strongly
(Russian accent) Nice to meet you
SEC 4. INT. DIFFERENT BARS. NIGHT
J is talking with different men with different accents
given different names while the men are drinking like mad
J
I´m Danielle, from Brazil
J
I´m Marina, from Italia
J
Rosa, de Mexico
6.
SEC 5. INT. SUBWAY ENTRANCE. DAY
J is dressing like a boy. One woman looks at her. J has sex
with the girl in a photo machine. J is washing her hands
outside the photo machine after the meeting with woman 1.
Woman 2 looks at her. J sighs and follows her. S (the other
character) watches the scene.
SEC 6. INT. SUBWAY VAGON. DAY
J is seducing a boy in the subway that is listening music
with his Iphone. We can see there are having a
conversation. J flirts with the boy. The boy gets off the
train saying good bye. The doors closes and she is
listening music with the new Iphone. S is sitting in that
same vagon.
SEC 7. INT. BARS. NIGHT
J (OVER)
And my favorite, my principal
source of benefits.
J is seducing a man seating alone in a bar. J and Man take
some drinks in the bar and laughing. J doesn´t drink and
observes how Man drinks.
MATCH CUT TO:
SEC 8. INT. HOTEL ROOM. NIGHT
J and the Man are in a hotel room. Man is really drunk J
sprays something in her underwear. Man is kissing her. Man
falls unconscious. J picks his wallet, J sees a picture of
man with wife, puts the money and credit cards inside her
hand bag. J takes a picture of man. J takes pictures of
different men. J leaves the place closing the door with
different outfits and wings.
CUT TO:
7.
SEC 2. EXT. CITY LANDSCAPE. DAY
We are back at the principal street when J made her first
apparition.
J
Some will say it all comes from a
traumatic childhood (CONT’D)
SEC 9. INT. SCHOOL GYM. DAY. 1994 (FLASHBACK)
We can see J as child in gym class being hit by lots of
basket balls
J(v.o)
(CONT’D)
Others that is because of the
influence of drugs(MORE CONT’D)
SEC 10. INT. LIVING ROOM PARTY. NIGHT 2001(FLASHBACK)
We can see j smoking a pot and feeling nothing as a girl is
totally stone
MATCH CUT TO:
We can see J about to try cocaine when a girl has a
overdose. She leaves the straw with the cocaine untouched
SEC 11. IMAGES OF MOVIES
J(v.o)
8.
(MORE)
Others that it was the powerful
influence of the fashion system o
Hollywood movies
SEC 2. EXT. CITY LANSCAPE.DAY CONTINUED
J (CONT’D)
To tell you the truth, it was
something simpler than that.
SEC 12. INT. BARS. NIGHT
J is in a bar dancing and drinking with some other girls.
J is dancing with a boy.
SEC 13. INT. MOTEL ROOM. NIGHT
J is going into a room with that drunk guy. The Drunk guy
falls on the floor. J sees the wallet.
SEC 14. INT. INSIDE THE TAXI. NIGHT
J takes a cab and counts the money. Smiles.
SEC 15. INT. GROCERY SHOP. DAY
The door closes. J is listening music, eating candy and
drinking some coke. She is in the supermarket. She is
watching the shop assistant moving his lips angrily. The
music suddenly stops.
J
Sorry?
Pakistani Shop assistant
Your credit card have be rejected
9.
(CONT’D)
(MORE)
STEP 3: THE BEGINNING OF THE
PLOT. J+? ….
J
Oh..shit..ah..ok, just let me
see…fuck..I don't have any cash.
Can you try again?
P SA
I've try three times. No accepted
J
Ok, well, I think I have to leave
it and…
P SA
No no no, and things you eaten?
you eat things, you pay
J
Eh, yeah, As I was saying, I´m
going to leave this things and
then I´m going to my apartment,
get some cash and pay you for the
chips and the coke. You see, I
live in that building.
P SA
NO NO NO you pay
J
sorry, but I don´t have anything
apart from that credit card but
P SA
No no, you pay you pay
J
I'm telling you, I don´t have
anything but I can go to my
apart..
P SA
No pay, police, I call police
J
10.
(CONT’D)
(MORE)
BOBOBOOO, Chissss, easy there…Ok.
J pulls discreetly her t-shirt down so her breast can be
more visible.
J (CONT’D)
Look, ehh How is your name?…
Kasheen. Kasheen that's a lovely
name. I'm J by the way. Nice to
meet you. Look, kash, I will
explain you something, ok? Can
you see that building? Well, that
is where I live. Close, eh? Well,
this is the thing. I will leave
all this things here because, you
know what? I don´t need them that
much. So, after that, I will
cross this street and I will
reach the door, I will climb the
stairs, open the door of my
apartment, open the drawer of my
room, get some cash, climb down,
cross the street again and pay
you the 2 pounds I owe you. What
do you think? Good deal, eh?
P SA
NO YOU PAY!
J
I´m telling you. I just have to
cross that street, go to my
apartment, get the money and come
back. It´s not that complicated.
I can leave you my ID. Is that
OK?
P SA
YOU EAT THINGS AND YOU NO PAY
J
I´m telling you, your stupid
paki,
SHOPPER N1
Shit, Just fucking pay him
J
11.
(CONT’D)
(MORE)
Will you shut up,fat man and mind
your fucking business?
The people is beginning to yell at her
P SA
You pay
J
You shut up! And you, fucking
paki, What the fuck you want?
P sa
I call police
J
Shit!!! your motherfucker!! You
want me to give it back to you,
is that it? You want me to give
it back. Here you are
S
Just let me, I´ll pay
J
Ey,I told you to mind your own
f…(CONT’D)
On the screen appers handwriting letters saying
STEP 3: J+S=SOMETHING
J(CONT’D)
Eh…I told you that I can deal
with this perfectly, thank you
for your concern
S
Yeah, that is obvious. Just add
these things too. (lots of noodle
packages)
J
No, really you don´t
12.
(CONT’D)
(MORE)
S
Is my pleasure
Here you are
S leaves the shop before J.
SEC 16. EXT. URBAN STREET.DAY
J follows S.
J
Ey, wait! Shit. I don´t know what
to say
S
Nothing. I didn´t want to see you
throwing up, that´s all. My
stomach is delicate
J
Shit, that fucking paki. I´m
sorry. How can I
S
Well, here are you things, see
ya.
J
Ey, wait. I cannot leave it like
this. I have to thank you for
helping me.
S
No need, really. Well, nice to
meet you. Take care
J laughs
J
No
S
What?
13.
(CONT’D)
(MORE)
J
I think you have no choice.
Apparently, we are closer that I
thought
S
Sorry?
J
Yeah, I think we are in a middle
of a relationship already
S
Excuse me?
J
Yeah, you know, neighbor
relationship
S
You´re kidding
J
No, I just moved in. You cannot
say no now, I know where you
live, and I can be really
annoying. Come on, We leave our
things and we meet here in… ten
minutes, is that ok?
S
Ah…
J
Come on. Just a drink
S
At 11 in the morning?
J
Well, a coffee. Whatever. Please?
Continues the conversation as they enter in the building
SEC 17. INT. PRINCIPAL HALL. ELEVATORS.DAY
14.
(CONT’D)
(MORE)
S
Ok. Ten minutes
J
Ten minutes.
S
Well, I climb the stairs.
J goes inside the elevator. S climbs the stairs. She hides.
The elevator is broken so J has to climb the stairs
S
Shit
S has to climb faster and quietly so J cannot catch her
SEC 18. INT. J'S APARTMENT. DAY(CONTINUED)
J reaches her floor. J dances. J opens the door, changes
her clothes. J perfumes. J checks the time.
SEC 19. INT. S'S APARTMENT.DAY (CONTINUED)
S is watching the time. S looks at her in the mirror. S
sights.
S
Ahhhh…puffff. brrrrr
S IS LOOKING AT THE WIDOW. SHE DECIDES TO TAKE HER CLOTHES
OFF, PUT A ROBE on AND MAKE SOME noodles.
SEC 20. EXT. URBAN STREET.DAY(CONTINUED)
J checks the time, she IS WAITING DOWNSTAIRS. S NEVER GETS
DOWN.
15.
(CONT’D)
(MORE)
J
Fuck it, fuck it, fuck it
J continues to walk on the street
FADE TO:
SEC 21.INT. S'S APARTMENT. DAY
S is watching a movie on tv while she is eating her
noodles.
SEC 22. EXT. URBAN STRRET. DAY (CONTINUED)
J is wondering the street. She is stealing from different
people and taking beautiful pictures.
SEC 21. INT. S's apartment. DAY(CONTINUED)
S is in front the computer. She opens facebook. No messages
on the wall no new friends. She has 5 new private messages.
"MOM". S sights. "where are you? what are you doing? hope
everything is ok. Call me"
SEC 23. INT. AMBIENT BAR. NIGHT
J is in a bar and she is watching the people. There are
only young people, group of girls dancing alone, and the
silly boys drinking and watching them. J is bored and she
drinks.
CONTINUED
SEC 21. INT. S'S APARTMENT. NIGHT
S checks the hour in the cell phone. S opens the wardrobe.
No more noodles. She dresses up.
SEC 23. INT. AMBIENT BAR. NIGHT
J is in other bar drinking. There are only couples and
groups. No victims. She drinks.
CONTINUED
16.
(CONT’D)
SEC 24. INT. SMALL CONVENIENCE STORE. NIGHT
S is on the supermarket. She buys her noodles and exits the
place.
SEC 23. INT. AMBIENT BAR. NIGHT (CONTINUED)
J is drunk and she decides to go home.
SEC 25. EXT. URBAN STREET. NIGHT
J IS ON THE STREET. J sees S from the distance carrying
plastic bags.
J
EY, YOU!
S
Shit
J
Ey, YOU!I know you! yeah, you are
the one who let me down, the
noodle eater, yeah
S
I don't know what you are talking
about
J
Yes, you do, noodle eater. You
know? For the future, if you are
not going to do something, just
say no, ok?
S
I don't even know you
J
Yes, you do. I'm the best friend
you can ever have, because I'm
already better than you think
S
17.
(MORE)
You're pissed
J
Yes, sir, I am
Some boys are on the other side of the street. One of them
yell at them
Boy nº1
Ey, hottie, wanna have fun?
Friends laugh
J
Why don't you fuck yourself,
wanker?
The friends laugh even harder
Boy nº1
Wow, This bitch needs a lesson.
J
Oh, yeah, Here I am, you fucker.
I will break your fucking face,
faggot.
S
Fuck
Come here, let's go home
J
I'm not going with you anywhere
Boy nº1
Come on, bitch, let me teach you
what a real man is
J laughs
Boy nº2
Come on, Joe. Let's go, Lucy and
the others are waiting
18.
(CONT’D)
(MORE)
S
Come now
J
I said I'm not going with you
S
Oh, yes, you are, unless you want
to be raped by these drunkers
J
So what? They have needs too.
Everybody needs love. Love and
that shit. Even you, lonely
creepy girl, noodle eater.
Boy nº1
Leave me.
Boy nº3
Come on, after 2 we have to pay,
let's go
Boy nº1
Ok, this bitch is not worth it
J
What have you said, your wanker?
S
Fuck, Just come with me
J
Why?
S
Because, today I'm your best
friend, ok.
J
Fuck. Good answer
The boys are leaving holding boy nº1 on the other side of
the street.
19.
(CONT’D)
S grabs J and takes her in the other direction
J shows her middle finger to the boy while they are walking
SEC 26. INT. BUILDING HALL. NIGHT
J and S are standing in front the elevators. J is relaying
all the with of her body over S's shoulder.
S
Fuck, the elevator is still
broken. Doesn't anyone repair
something over here? Ah, let's
go.
SEC 27. INT. STAIRCASE. NIGHT
S is carrying J over the stairs. J is singing "I kissed a
girl" Katy perry
MATCH TO:
SEC 28. INT. J'S APARTMENT. NIGHT
They reach the door of J's apartment.
J
Give me the key
S
What? You don't have the key?
J
I thought you have it
S
How was I going to have your
apartment's key?
J
You tell me
S
20.
(MORE)
Shit. Come on, let's get down.
S and J start their descense.
SEC 29. INT. S'S APARTMENT. NIGHT
J sleeps at S's. S has to undress her.
SEC 30. INT. S'S APARTEMENT. DAY (CONTINUED)
J wakes up in a strange room.
She walks through the apartment. S is sleeping in the sofa.
J touches s
J
Ey
S
Ey, good morning. How are you
feeling?
J
Fucked, but I'll survive
S
Really?
j
Really. Sorry to wake you up, but
I just want to say I'm leaving
and have a nice day
S
No
J
No, what?
S
21.
(CONT’D)
(MORE)
You don't have to leave so soon
J
It's ok, I have bothered you
enough
S
No, you have to have breakfast
with me. Come on
J
Well, as you wish, but I cannot
have noodles for breakfast, ruins
my system.
S
I don't only have noodles
J
It was a joke. Come, I make some
toast
S
Let me do it
J grabs her by the arm and waist and pulls her towards her
and away from the cooker
J
No, let me
S
I'm not lesbian
J
Ok
S
I just want it to
J
Make it clear. Got it. I just
remember I have to go
S
22.
(CONT’D)
(MORE)
You don't have to go
J
No, I have to. Well, thank you
S is standing with the bread in the hands
SEC 31. INT. S'S OFFICE. DAY
She is in the office. She is bored. The people of the
office walk really fast but she is in normal motion.
SEC 32. EXT. URBAN STREET. DAY
J is walking the streets. She is walking with different
outfits.
She steals from different men.
SEC 33. INT. BAR. NIGHT
J is at the bar at night, talking with different man. J is
bored.
SEC 34. INT. S's APARTMENT. NIGHT
S arrives at home. She is going to cook some noodles. She
stops.
SEC 35. INT. J'S APARTMENT. NIGHT
S is at J's door. She is going to knock, but she rejects
the idea. She goes back again and finally knocks the door.
The door is open
S
Hi, I wonder if you want to watch
a movie…with me
J(she is underwear)
Ahhh…
23.
(CONT’D)
(MORE)
S
OK, sorry for bothering you
J
No, wait. I mean. It's soon for a
movie.
S
It's 7:30 of the afternoon
J
Really? Shit. Ok. just leave me
get dress
S
Ok
J
You can wait inside
S
Ok. Thank you
J
You're welcome
Just sit there. If you wanna
drink or eat something, help
yourself. But, no noodles, sorry
S
I don't only eat noodles
J
Whatever
S opens the fridge. There are only bottles of white wine,
juices, cans of minerals and some fruits.
J
So, what kind of movie you wanna
see? I've seen one really good in
the mall
S
24.
(CONT’D)
(MORE)
Mall? No
J
Well, we can go to the center
S
I don't like cinemas
J
You don't like cinemas?
S
No
J
So, how we are suppose to watch a
movie if you don't like cinemas?
S
At home. Something call DVD?
J
OK
The movie is finish. J was half sleep.
J
Wow. It was good. It's good to
know what is happening to the
Kurdish people nowadays.
Absolutely, heartbreaking. Shit,
is eleven thirty.
S
I told you it was long. Well, I
got to bed.
J
Oh, come on, let's have dinner
outside. I'm starving.
S
It's too late
J
25.
(CONT’D)
(MORE)
It's Saturday.
S
It's too late
J
Ok, well, I have to work anyways.
S
Goodnight
J
Yeah
SEC 36. INT. S'S APARTMENT. NIGHT
S arrives at home and she stops at the door
CONTINUED
SEC 37. INT. J'S APARTMENT. NIGHT
J is preparing herself for another night of work.
SEC 38. INT. ELEVATOR DOOR. NIGHT
J press the calling the elevator but it's still broken.
J
Fuck¡
SEC 36. INT. S'S APARTMENT. NIGHT
CONTINUED
S is making herself some dinner with noodles and she hears
a noise on the stairs, somebody is cursing. She goes to the
door and observes through the keyhole.
26.
(CONT’D)
IT is J, she just fell from the stairs. She is wearing a
wig, a mini skirt, a very sexy top and high heels. J puts
herself together and she continues her descence.
S is surprise and curious. She looks at the window. J is
walking.
CUT TO:
AT night, S is on the bed. She is awake for the noise of
some high heels on the upper floor. She checks the time is
5 in the morning. S goes back to sleep.
MATCH TO:
SEC 39. INT. J'S APARTMENT.DAY
J is sleeping. Someone is knocking at the door. J finally
wakes up. She walks slowly to the door. J OPENS THE DOOR. S
IS AT THE DOORSTEP.
J
Woman, you are going to kill me.
S
Sorry, I didn't …
J
No, just tell me it's not another
of those kurdu movies.
S
No
J
Ok. Come. No, wait
S
Sorry
J
It's my turn
27.
(MORE)
S
I don't want to go out
J
Ok. But today I choose the movie
and you are going have dinner
with me. Not arguments.
S
All right
J is looking at s during the movie. She is laughing.
SEC 40. INT. STAIR CASE AND S'S APARTMENT. NIGHT
S climbs the stairs and reaches her floor; she locks the
door behind her.
SUCESSION OF IMAGES
J climbs down the stairs with different outfits.
We can see how every time S is spying at the door.
COMBINE WITH:
SEC41. INT. J’S APARTMENT. DAY
S and J are watching movies, playing inside the apartment,
cooking together, tacking pictures of each other…
SEC 42. INT. J'S APARTMENT. NIGHT
J and S are sitting on the couch while they are watching
the ending of a movie.
S
28.
(CONT’D)
(MORE)
It was good.
J
Yeah, I told you.
S
Well, I have to go home.
J
Yeah, well, let me follow you to
the door. (CONT’D)
She kisses her on the check very close to the lips.
J(CONT’D)
Hope to see you soon
S
Yes, good bye
SEC 43. INT. S'S APARTMENT. NIGHT (CONTINUED)
S gets inside her apartment and she waits. She checks the
time.
MATCH TO:
SEC 44. INT. STAIRCASE. NIGHT
J checks the time. She runs through the stairs.
MATCH TO:
SEC 43. INT. S'S APARTMENT. NIGHT (CONTINUED)
Suddenly s hears someone going down. S opens the door. J is
surprised
S
Are you a whore o something like
that?
J
29.
(CONT’D)
(MORE)
No, I'm not a whore or something
like that
S
Show me
J
Ok, but you have to go out and
not like that
SEC 45. INT. J'S APARTMENT. NIGHT
J and S are in J's bathroom. J takes S's cloths off. S
doesn't move. J gives S a dress and she helps her to close
it at the back. J puts some make up on S
SEC 46. INT. NIGHT CLUB. NIGHT
J and S enter in a bar. Is and old fashioned bar, more like
a exclusive club with a tiny dance floor in the middle of
the room and with lonely people spread across the room.
They both go to a corner. J grabs her and they begin to
dnace. They are cheek with cheek
J
First, watch
S looks around the bar. They are mostly men around forties.
They are from different social status. One can tell from
the clothes, but mostly of them are from the middle upper
class.
J
Then, Choose.
J points one man with her eyes. S is beginning to
understand. The man has 4 empty glasses on the table and he
just ordered another double chivas regal.
J
30.
(CONT’D)
(MORE)
And then, attack. Let me do the
talking.
J (eater European accent. All the
conversation with the same
accent)
Hello
MAN
Hello
J
Do you mind if we sit here?
Everything is full
MAN
Yes, of course, please. It's an
big table and I love sharing.
Especially with two angels like
you
J LAUGHS. S IS SERIOUS
J
Thank you
MAN
You're welcome.
WAITRESS
What are you gonna have?
J
Water, please
MAN
Water? You must be jocking! Bring
them two good chevas, darling,
double
J
No, please
MAN
My pleasure.
31.
(CONT’D)
(MORE)
J
Not really
MAN
I do it for myself. It's much
better to drink in good company
J
Well, if you insist
MAN
Perfect. Two chevas for these
angels from…
J
Serbia
MAN
From Serbia! Lovely place
J
Have you been there?
MAN
No, but now I want to
J laughs again. S is quite
MAN
And you girl? Are you from Serbia
as well?
J
Yes, she best friends, but she
speaks no English. Poor thing
MAN
Well, WELCOME TO THE STATES!
The waitress brings the drinks.
J
Cheers
32.
(CONT’D)
(MORE)
MAN
Cheers
S hasn´t touched the drink
MAN
What's the problem with you,
girl?
J
She is Muslim, she cannot drink.
MAN
Come on, girl, Ali is no watching
J
ALÁ
MAN
Ali, ala, whatever. Come, drink
J gives S a sign with the head. S drinks the shot
MAN
Ah! good girl. Other round
CONTINUED
We can see the man drinks several drinks. S and J look at
each other. The man is touching J's tight all the time.
CONTINUED
MAN
You're friend is really quite
J
Oh! She is WORRY.
33.
(CONT’D)
(MORE)
In our country is not good for
girl be with man alone. bad
reputation
MAN
Really. Oh! So, She is shy, uh?
J gives a cynical laugh
J
She doesn't need words
MAN touches her tight harder
J
I'm thristy
MAN
Another round
S leaves the table
J
Excuse me
J grabs her arm
J
Wait
S
For what? To show me you are not
a whore? So what is that? Just
making friends, I presume?
J
I didn't finish, is not gonna
take long, he is already drunk,
and very
S
What?
34.
(CONT’D)
(MORE)
J
It won't take long. At least give
me the chance to show you, then
you judge
The man is laughing and holding J's tight again. He is
drinking. J looks at S. S looks at the Man.
J
Well, is time to go.
MAN
What?
J
Is too late. And the underground
in going to close
MAN
Ah! don't you worry girl, I pay
you a taxi later, come on.
Another drink
J
Well, if you can take us home. We
scare of night and my friend
tired
MAN
Better, better, I cannot leave
two angels like you alone in this
bad city. Come
The man grabs their asses. S moves forward and is going to
face the man. J grabs her by the arm and takes her by her
side.
MAN
You need your mama, uh?
J laughs politely
35.
(CONT’D)
MAN
Why don't you give mama a kiss?
Come on
S looks at J. AT the end, she gives a kiss on her cheek
MAN
What is that? That's not a kiss.
Come on, let mama teach you
J looks at S. She takes her head and she kisses her on the
lips
MATCH TO:
SEC 45. INT. HOTEL'S ROOM. NIGHT
J and S stops kissing. They are in a TWO STARS Hotel room
with the drunk man. The man is opening a bottle of vodka.
The man falls unconscious over the floor. S and J turn
their heads to watch the unconscious man lying on the
floor.
J
Well, it's time to go home
SEC 47. INT. TAXI'S INTERIOR. NIGHT
J and S are sitting inside the taxi in complete silence.
SEC 48. INT.S'S APARTMENT. NIGHT
S lets herself fall onto the bed. She is touching her lips
36.
SEC 49. INT. J'S APARTMENT. NIGHT
J is on her bed and is touching her lips. J starts to cover
her face with a pillow and kick her legs and arms.
FADE OUT
SEC 50. INT. OFFICE. S'S WORK PLACE.DAY
S is sitting in her desk with an absent face. She begins to
watch in youtube videos about lesbian movies.
OFFICE BOY
Ey, S, what's up? Is there
something wrong?
S
NO, NOTHING
S shuts the computer down
OB
OK. Keep staring at a dead plan
for a couple of hours more.
That's fine.
S
Ok, it's just. Jesus. I met
someone
OF
Oh, HALLELUYA! THANK GOD, ALL
MIGHTY! That's good, isn't it?
S
Yeah, but it's not what I
expected
OF
37.
(MORE)
Well, what did you expect?
S
Well, is not the same sex I
expected, in the first place?
OB
EXCUSE ME?
S
Is a woman
OB
Fuck, you're lesbian!
S
Sushhhhh!!I'm not lesbian.
OB
Ok, I'm sorry for the
misunderstanding, but YOU FEEL
ATRACTED TO A WOMAN, HELLO! If
that's not lesbianism, I'm Brad
Pitt, darling, and I really wish
to be Brad Pit or at least be
with him, so tell me?
S
Is… is just, you never felt
connected to someone when it
doesn't matter the status,
credentials, or, or even the sex?
It is the person itself, you
know?
OB
Yes, darling, all the time, I
love people.
S
I don't know what to do. It's…
it's not normal
OB
Darling, nowadays, what is
normal?
38.
(CONT’D)
SEC 51. INT. S'S APARTMENT. DAY
Someone is knocking at the door. S opens, is J.
J
Well, does the jury have a
decision?
S
You're not a whore, but you are a
thief
J
Aren't you going to let me in?
S
I don't know what to do
J
Well, first, I'm not a thief.
That people is cheating their
wives, their children. They are
just some pigs, spending their
family money in drinking and
hanging out with whores. I'm just
teaching them a lesson
S
And getting a profit
J
Well, I'm not perfect
S
No, you're not
J
Neither you are
S
I'm not sure about that.
J smiles
39.
S
So, what the hell are we going to
do?
SEC 52. EXT. PARK. PLAYGROUND. DAY
J and S are on the swings. J has a camera and a cigarette
in her mouth. She is talking pictures as she is getting
higher. She takes pictures of S in movement, of the people
of the park, the animals etc. S Is looking at J. There is
a mother with two little kids playing on the teeter-totter
MATCH TO:
J is smoking and walking through the teeter-totter. S is
sitting in one of the chairs of the teeter-totter chewing a
candy. J sits on the other chair and takes a picture of S.
J
Tell me something about you
S
What do you do with the money?
J
Any brothers or sister? Bad step
father?
J starts pushing her feet against the ground to lift her
end into the air. They start to move.
S
What do you do with the money?
J Laughs and she push harder.
J
Ok, if you want to know, I just
want to open my business, and, I
know is hard to believe, but for
that you need money
S
40.
(MORE)
Yeah, but you can earn it in
different and legal ways
J
Oh, thank you. You just
illuminate my path, Deepak
Chopra. But, just one thing, how
am I supposed to do that? I don't
have studies. The only jobs I can
get are to be a cleaner or a
whore and wait till I'm old, fat
and cover with cellulitis and
wrinkles to maybe finally
establish my studio. Sorry, but
no, thank you.
S
I'm just saying that
J
Wait
S
Wha…
J slides trough the teeter-totter getting closer to S.
J
Wait, wait …ah there
S had something near the eye and J removes it.
J
I'm kind of hungry.
SEC 53. INT. ELEVATOR. NIGHT
J and S take the Elevator. An old woman is inside. They
reach S's floor.
J
Well…This is it.
S
41.
(CONT’D)
(MORE)
Yeah
Silence
J
Well...See you around
S
Yeah
J
Ahh..tomorrow I´m going to the
outlet if you wanna come
S
Oh, I can´t, I have a meeting
tomorrow
J
Oh, well, ok…
S
But eh… I´m going the Wednesday,
so we can go together if you want
J
OH, YEAH, YEAH, that would be
wonderful. Well, see you then.
(KISS IN THE CHICK) See ya.
(Another Kiss) Well, have a nice
day tomorrow, not too boring.
S
Yeah, I hope so. You too. Have a
nice day.
J
Yeah, I suppose I´m going for a
walk and I don´t know…take some
pictures
S
Ah, awesome. yeah… You have to
show me your pictures.
J
42.
(CONT’D)
(MORE)
Well, they´re in my place, so
whenever you want, just ..
S
Yeah, I will. Well. See you
(another kiss)
J
Yeah, see you (kiss)Goodnight
OLD WOMAN
For Christ sake, just get off and
you, girl, just let her fuck
you!!Holy Jesus! Go, go, get out
Closes the door
OLD WOMAN
Fuck, this dicks!
J
Shit, man
Whatever
S
Yeah, whatever
They kiss
SEC 54. INT. S'S APARTMENT. NIGHT
J and S are in S's apartment. They make love.
FADES IN BLACK
Appears again handwriting:
J+S=LOVE
43.
(CONT’D)
SEC 55. INT. S'S APARTMENT. DAY
J and S are on the bed. J wakes up. She stares at S. S is
sleeping. J tries to get up without waking her up. She
looks for her clothes in the dark. J goes to the bathroom
wash her teeth, her face and combs her hair with S´s
things. J looks at S once more and she leaves.
MATCH TO:
SEC 56. INT. J'S APARTMENT. DAY/NIGHT
We can see how J and S are together for some time. We can
see them cooking real noodles, painting the walls, kissing,
dancing, everything in the living room.
And we can see every night J is going on with her work at
night with different men. She is with different clothes.
FADE TO BLACK.
SEC 57. INT. NIGHT BAR. NIGHT
HAND WRITING:
STEP 4: J + P=...
J enters into a bar.
She is dancing. P is in the other corner of the room. J
orders a drink, and she walks around. She sits in a table
opposite P. P is ordering another drink. He is writing in a
note book. He pays the check with big notes. Some boys try
to speak with J, but she sends them off. J is dancing. They
look each other. J goes back to her table. She looks at p.
J
Hey.
44.
We can see how she opens he mouth but one cannot really
know what she is saying. P does a sign that he doesn´t
hear.
J begins to talk again. Nothing.
J sits on a chair next to p.
J (Eastern European accent)
Hi.
P
Hi
Silence
P
What is it that you were saying?
J
I was asking if you are so bored
like me.
P
Ah…no, I was just, well yeah
J
Yeah, pretty dead, isn´t it? Not
what I expected
P
What did you expect?
J
American bar. Like in the movies,
you know, full with people having
fun, all beautiful
P
Oh, thanks
J
NO, you know, maybe some fights.
American bar.
P
45.
(MORE)
Well, welcome to an American bar.
J
Thank you. You know? Let´s get
more drinks.
J AND P are drinking. We can see
the rest of the people of the
bar.
P
So where are you from?
J
Serbia. You know?
P
Is that like Russia?
J
Oh, near. I´m student.
P
Oh, what do you study?
J
I´m student
P
Ok.
P shows his glass to the waitress for refilling.
continued
P drinks another one. The waitress lets something drop over
the floor. A girl is dancing in front of one man in the
other corner of the bar. She is much younger than him and
she is really drank. Somebody is laughing.
J
Yep.
P
46.
(CONT’D)
(MORE)
You are curious.
She laughs. Silence…
J looks at the notebook he has on the table.
J
What are you writing?
P
The usual things: Dreams,
nightmares, aspirations. Crap.
J
Oh, good crap?
He laughs
P
YEAH, gorgeous crap. Waitress,
another round.
continued
More drinking. Some looks between them. The old man is
grabbing the young girl by the arm, pulling her to the
exit.
J
You wanna go home?
P
Best thing. I don´t have more
money
P laughs
47.
(CONT’D)
SEC 58. EXT. URBAN STREET. OUTSIDE THE CLUB. NIGHT
J and P are on the street. P is totally drunk and he falls.
He does not get up.
J
Maybe we should get a cab
P
Yeah, maybe, you have money?
Never mind. ATM ATM THERE
P inserts the card. J looks at the code. He is taking 100,
but J press another 0 pretending it was by mistake.P
doesn’t realize anything.
SEC 59. INT. P'S APARTMENT. NIGHT
J and P are in P´s apartment. The apartment is nearly
empty. On the living room we can only see a small couch and
a tv screen. Some cups over the floor. Not too much mess.
There are lots of bottle of spirits. J comes closer slowly
and kisses P. P stops.
J
Maybe we should get another
drink.
P
Yeah. Good. Brilliant idea.
P tries to open a bottle of vodka. J helps P. They look
each other at the eyes. J comes closer. J kisses P. They
began to kiss harder.
P
WOW. You are quick… Russian girl…
J
Serbia
P
YEAH, Serbia. YEAH.
48.
J looks at him. P SMILES
P
I´m P from here
J
I´m nikki
P
Nice to meet you nikki from
Serbia.
P grabs her hand and they shake hands.
J
Ehh. Nice to meet you too
P (smiling)
Can I ask you something?
J
I Suppose
P
I suppose. That is good. Not a
promise but not a negative
either.
J
Can we drink something?
P
OH,ok
P turns and he nearly falls over the floor. He begins to
look for glasses.
J
Don´t worry, hun. I´ll do it
J prepares the drinks. Too much alcohol in P´s drink, none
in hers.
49.
P
Thanks. Ufff. You like vodka, eh?
Russian girl?
J
I like you
P laughs again.
P
Can I ask you something?
J
ok
P
I have to pee
J
Ok
P stands up really slowly and he walks making s towards the
room
J
I´ll wait for you
P
YEAH
J checks the time. Is 3 am.
J
Fuck!
She opens her purse and looks for something. P is trying to
pee in the bathroom. Has some pills on the hand and she
begins to open them. P is washing his hands and doing
stupid things in front the mirror. We can see the water
going down in the sink.
50.
We can see the drink has been stirred inside the glass. P
is walking towards the living room. J is putting all the
things back.
P starts to laugh.
P
You know? I just had a feeling
J
A feeling?
P
Yeah. This is strange
J
What? What is strange?
P
THIS. I´ll never have unknown
women in my living room.
J
OH. Neither do I.
P
Women?
J
Men. No allow in my country.
P
REALLY? You don't have sex?
J
Ahh..
P
I don´t. I USED TO. A lot. An
Jacking off. A lot. All day. I
don't masturbate. Do you
masturbate?
51.
J stares at him
P
Yeah, I shouldn´t ask. Is rude.
ruuuudeeeeee
P drinks again. J checks the time. 4 am.
P
Would you just fuck me because
you don't know me o just because
we are bored?
J
What?
P
Sorry (screaming) WOULD YOU FUCK
ME BECAUSE YOU DON´T…
J
I´ve heard it. And I will not
fuck you at all.
P
Why?
P falls over the floor.
J
Because I don't mix sex with work
J checks his state of consciousness. She stares at him for
a while. She looks for the bag, begins to search inside it.
While she is doing that, P grabs her ankle. She screams.
The wig goes off. He looks at her and falls sleep.
J leaves running and banging the door.
SEC 60. EXT. URBAN STRRET.OUTSIDE P'S APRTMENT. NIGHT
J takes a taxi.
52.
SEC 61. INT. INSIDE TAXI. NIGHT
Inside the taxi J is breathing hard.
SEC 62. INT. J'S APARTMENT. NIGHT
J arrives at home. She checks on S. S is sleeping still. J
goes to the living room and she sits on the sofa. She
checks the contents of the bag: One notebook, one camera,
some pamphlets about exciting things to do and the wallet.
She opens the wallet. We can only see J´s face.
J
FUCK!
We can see again the ID and the face of J. P is a cop
J
NO, NO, NOOOOOOOO
J stands up and she begins to walk around the living room.
J
NO
Fuck. No.I CANNOT...I cannot
believe it. Fucking stupid bitch.
Now what? WHAT AM I GOING TO DO?
I´m fucked. I´m fucked. No no no.
J walks around with her hands over her head.
J looks to her own person on the mirror.
J OF THE MIRROR
Ok. Relax. Just think.
J
I´m fucked. NO NO NO.
He saw me. That´s it. I´m fucked.
J IN THE MIRROR
No. I have his address.
53.
(MORE)
Tomorrow I´m going there and I
leave the wallet in the mail box
and it never happen. Yeah.
J
That´s it. I'm not fucked. I´m
not fucked. Not yet. Ok.OK.OK.
SEC 63. INT. J'S BEDROOM. NIGHT
J is moving all the time in her bed. She cannot sleep.
S
OHHH, J. IS THERE SOMETHING
WRONG?
J
NO, sorry, I just took too much
redbull and I cannot sleep now.
Just go back to sleep.
MATCH TO:
Following day.
J is really nervous. She prepares herself with the most
casual clothes. Totally opposite of what she was wearing
the other night. S is still sleeping on the bed. She goes
for the wallet. J opens the wallet one more time. There is
a lot of money inside.
She takes the money out and she stares at it for a while,
counting, thinking. She sights.
J
Fuck!
She closes the wallet and puts it inside her pocket. She
walks to the door. She stops.
J
What the fuck!
54.
(CONT’D)
She takes the wallet out and she hides some notes on a
drawer.
J leaves the house.
SEC 64. EXT. URBAN STREET. OUTSIDE P'S APRTMENT. DAY
J is looking to the address in the wallet and the map. She
is in front of the building.
J
OKI OKI. Here we go here we go.
I'M NOT FUCKED. I'M NOT FUCKED.
I'M NOT FUCKED
J is in front of the mail boxes. She is searching for the
number of P´S apartment. She finds it and she introduce the
wallet. P is descending the stairs. The look at each other
P
HEy!
J
Shit
J runs as fast as she can. P is following behind.
SEC 61. EXT. FRANKLIN STREET. DAY
They are in the main street now.
P
HEY!
J finally gets inside a taxi.
J
Drive. Kellingston street
55.
P arrives late. He cannot she her.
J is checking his movement from inside the car. She is
breathing hard. She closes her eyes and lay down.
SEC 65. EXT. URBAN STREET. OUSIDE P'S BUILDING. DAY
P is back in his building. He checks his mail box. His
wallet is inside with a note. "My mistake, sorry. No bad
feelings, please " P smiles.
SEC 66. INT. J'S APARTMENT. DAY
J is watching breakfast at Tiffanys, the scene of the
library, when He confess his love for her. S arrives with
some shopping bags. Everything is a mess. The sexy clothes
are on the floor.
S
I really think you should get a
job
J
I have a job, sort of
S
That's not a job, you know it?
And I don´t like it
J
You don´t like what, exactly?
S
You, at night, walking the
streets
J
walking the streets? I´m not a
whore, s.
S
I didn't mean that, I mean, you
know what I mean. It's not
56.
(MORE)
J
It´s not, what?
S
It's not right
J
Is the only way I know to get
what I want
S
I'm just telling you to get a
decent job
J
If you don't like it, maybe we
shouldn't be together
S
I'm just saying it's the "job" I
don't like. I don't understand
why you acting like this
J
Maybe it's just an excuse
S
An excuse?
J
You are tired and you just
looking for excuse for going
away, s. It's very common
S
Maybe it's you who wants an
excuse
J
Yeah, maybe it's me. Look, I'm
tired, I don't want to go on with
this
S
57.
(CONT’D)
(MORE)
Perfect
S looks herself at the bedroom
J
S, what are you doing?
S
What? I cannot locked myself in
my room
J
Yes, but is not your room
S
Fuck
S opens the door. S doesn't look at J and tries to leave
with the dignity she has left.
J
I'm sorry. I just didn't sleep
well. I will look for a job, ok?
S
Ok
J
Come here
SEC 67. INT. OFFICE. DAY
J has several interviews but nobody hires her.
Interviewer 1
Knowledge of excel?
Interviewer 2
How is your level of Spanish?
Interviewer 3
58.
(CONT’D)
(MORE)
Previous experience?
Interviewer 4
What do you think about the
Kurdish situation?
INTERVIEWER 5
Degree? Masters?
Interviewer 6 (fat old man)
How do you do with skates?
J
Sorry?
Interviewer 6 (fat old man)
Skates? You know? Those shoes
with wheels?
J
I know what skates are; I just
don't know the relevance of the
question
Interviewer 6 (fat old man)
Well
He points at one of the waitress. The girl is wearing a
mini skirt and the skates. She is carrying a big tray
filled with burgers and drinks. An old man touches her ass.
We can see J's face
SEC 68. EXT. URBAN STRRET. DAY
J is walking on the street sadly.
J SEES a guy well dressed up talking with his new iphone.
She goes straight to him. J kisses this man. And begins to
hug him
J
I missed you so much, baby. I´m
so sorry for everything. Oh, it
feels so good. Hold me. Hold me.
59.
(CONT’D)
She looks at him. The guy is very pleased with himself but
without knowing what to say,
J
Who the fuck are you, your pervert? How dare you taking
advantage of a sweet girl just like that? Move. Move your
pervert your disgrace, before I call the police.
The guy runs. J smiles and she starts listening music with
her new iphone.
CUT TO:
J is chasing her new victim when she sees P.
P
Hey!
J begins to run. P follows her. J looks behind her
shoulder. P is far away.
When she looks ahead there was a hole on the ground, she
steps bad on it falls over her right foot, twisting her
ankle and hitting her face against the floor. P stops next
to her and helps her to stand up. J´s lip is bleeding and
she cannot walk.
P
Game over, fox
He is saying this as he is closing the handcuffs around her
wrists.
J
Shit! It hurts! Bastard, Somebody
help me, he is hurting me!
60.
(MORE)
please!
P
Shut up. Don´t you worry, I'm a
police officer. And you shut the
fuck up.
J
WHAT A WONDERFUL POLICE OFFICER,
TAKING ADVANTAGE OF A VICTIM! AN
injured person! I cannot walk,
man! Let me go!
P grabs her by the arm and drags her with him.
J
Asshole! Stupid alcoholic!
Looser!
They are walking through a narrow street towards a public
park now empty.
J
Let me go! Let me go, bastard!
Shit! Ok,ok,I'm sorry! But I give
it back, didn´t I? Come on! Ok.
what do you want? Shit, it hurts.
Slowly, man. I'm feeling dizzy!
J pretends to faint. P grabs her and keeps walking.
J
Shit, ok, You want me to pay you?
I'll pay you well, Is that what
you want?
She is caressing his face
P sits her on a bench and attaches the handcuffs to it
P
Shut up and don´t move.
He disappears. J is trying to take the handcuffs off but
nothing. She sights and she lay over the bench.
61.
(CONT’D)
She is looking at the sky and the leaves of the trees.
Suddendly, a face appears in front of her eyes. P had come
back with a plastic bag.
P
Sit upright and extend your leg.
J does what she is told. P had brought some ice and
bandages. He is examining her leg. J is looking at him.
P
It's a bit swollen. Can you move
it?
J
Ahh. No, it hurts!
P
I put some ice on it.
J is looking at him. P is really concentrated. He is
passing his hand around ankle as he puts the ice on it.
Then He puts the bandages on. He looks at her.
P
Let me see that lip
He is cleaning the cut and puts a plaster on it
P
You have to elevate your leg once
you are at home.
P stands up. He takes the handcuffs back and leaves. J is
astonished.
62.
SEC 69. INT. J'S APARTMENT. NIGHT
J is on the bed. She has her eyes open. He looks at the
clock. Is 1 am. She tries to think is something else.
Movies, tomorrow´s plans, but all the time it appears the
previous scene. She looks at the clock. 2:30 am.
She enters on facebook. Nobody wrote a message. Hotmail.
Nothing. A message appears on the screen
Message: nobody wants to added you, whore
J STANDS UP.
SEC 70. INT. P'S APARTMENT. NIGHT
We hear a knock on the door. The noise is getting louder
and stronger. P opens the door. J is at the doorstep. They
look at each other without saying anything. J gets closer.
They start to kiss. P looks at her surprised. They are both
breathing hard. They kissed again, this time harder. They
begin to take their clothes off. They make love. j stands
up. She dressed up and she leaves. P is freaking out.
FADE TO BLACK:
STEP 5: J+P=
LOVE… AFFAIR
SEC 71. INT. J'S APARTMENT. NIGHT
J arrives at home. S is still sleeping. She gets inside the
bed. She closes her eyes.
SEC 72. INT. HUNGRY JOE'S OFFICE. NIGHT
J opens her eyes. J is signing a contract.
Old man
Let's see how this beauty suits
you
MATCH TO:
63.
SEC 73. INT. HUNGRY JOE RESTAURANT. DAY
We can see the legs of a woman. J is wearing skates anD
mini skirt.
MALE COSTUMER 1
2 homburgues, one well done,
extra pickles, extra bacon,
FEMALE COSTUMER 1
other rare, extra cheese, extra
bacon, cocke no ice, ginger ale,
ice…..
KID 1
two super Burguers, with…
The kid looks at her mother
MOTHER O
Cheese
KID 1
With cheese, and two of
MOTHER
Onion rings
J is stressed.
FAT BOY
I want a super big Brooklyn bacon
burger with extra pickles, extra
onion, extra cheese I want it
well done, super coke no ice, a
turkey sandwich,a super bacon
cheese burguer with extra bacon,
extra cheese, two apple pies,one
cockie, four corns, two of onion
rings and some twister wings
J (writing in a notebook)
Ah..ok… two greek salad and an
ice tea
64.
(MORE)
FAT BOY
NO, I WANT A super big Brooklyn
bacon burger with extra pickles,
extra onion, extra cheese I want
it well done, super coke no ice,
a turkey sandwich,a super bacon
cheese burger with extra bacon,
extra cheese, two apple pies,one
cookie, four corns, two of onion
rings and some twister wings
J
YEAH, GREEK SALAD.
FAT BOY
I haven't said that!
J
Yes, Your conscience has (she
gets near the boy) Trust me,
fatty. Two greek salads. ON THE
WAY
SEC 74. EXT. OUTSIDE HUNGRY JOE'S RESTAURANT. DAY
Handwriting letters appears on the scren once more
STEP 6: DILEMA
J gets out of job late.
From the distance she can see S coming out of the subway. P
is waiting for her in a car.
J
OH, FUCK¡
J LEAVES BY THE BACK DOOR.
SEC 75. INT. J'S APARTMENT. NIGHT
J is watching tv. S arrives home with shopping bags.
S
65.
(CONT’D)
(MORE)
Ey! What happen today? I've
waited for you outside the
restaurant
J
I got out earlier
S
You should have call me
J
OK. But I didn't know you were
going to pick me up. Next time,
warn me about it, ok?
S
I wanted to give you a surprise
J
Well, I don't like surprises
S
Ok, now I know
J
Good
S
Fine
S is going towards the door. J hears the bang. She goes
outside. J is in underwear
J
Ey, where are you going?
S
I'm going home
J
You're fucking kidding me. S,
come back here
S
66.
(CONT’D)
(MORE)
You know, J? I don't know what's
wrong with you lately. Maybe you
worried about something, I don't
know, but I'm tired, really
tired.
J
What? What the fuck are you
talking about?
S
Look, if you want to break up,
just tell me, OK. I'm a grown up,
I don't need more bullshit, I can
perfec…
J
Shut the fuck up
S
Excuse me?
J
I've said "shut the fuck up"
S
OK. Goodbye. And Fuck you
J grabs S by the arm.
S
LET ME GO! you stupid moron.
She hits J.
J
Ah, fuck, (CONT’D)
J covers s mouth with her hand. J has immobilized S against
the wall
J (cont’d)
Much better now. Look at me.
Fuck, Look at me, S, will you?
Look at me. Look at me, s.
67.
(CONT’D)
She puts her forehead on s forehead.
J
Please, look at me. Ok, fine. I
don't want to break with you,
fucking stubborn girl. Don't you
know yet? If I break with you,
I'll die.
S looks at her
J
I fucking love you, S.
silence
S
Mmmmm
J
What?
S
I said: Damn
J
Why?
S
I cannot be angry with you
J
Can't you?
S
I'm fucking love you too
They kiss
S
let's get inside
68.
J'S CELL PHONE STARTS TO RING
J
Nooooooo!!
J checks the number, is P
J
SHIT
S
WHAT?
J
Is my boss
S
Why is he calling you?
J
Well, let´s find out. Just wait
inside, It won't take long.
J
Alló ?
P
Hey, where were you? I wait for
you after work, you never came
out
J sights
J
Yeah, I got out earlier. It's my
boss birthday so he closed before
today.
P
69.
(MORE)
That's good. I wish my boss could
do that, everyday
J
Yeah, it was really cool
P
I miss you. Can you come over?
J
Ummm. I can't
P
Why not? You had the whole
afternoon free. Come on, we watch
a movie and I'll make dinner,
spaghetti al frutti del mare.
What do you think?
J
No, really, I can't. It's my
friend's birthday, and I promise
her I will go
P
Wow, another birthday?
J
Yeah, curious, isn't it? It must
be a great month for hospitals!
p
I can go with you, I want to see
you
J
It's only for girls. I'm sorry.
But, tomorrow, what do you think?
The whole day, just you and me,
lots of free hours.
P
Ok. Tomorrow then. Have fun
tonight and don't drink too much
J
70.
(CONT’D)
(MORE)
ME? Nonsense
P
Love you. See you tomorrow
J
Yeah. See you tomorrow.
S
So, what did he want?
J
He was pissed. He is wishing
happy birthday to everyone, the
old fool
S
That's nice; I want to be that
happy when I'm older
J
Yeah, me too
S
Come here
They are kissing
J
I love you, you know that?
S
Yes, I know. I love you, you know
that?
J
Yeah, I think I do
Ah, I have to pee
SEC 76. INT. J'S BATHROOM. NIGHT
71.
(CONT’D)
J is in front of the mirror.
J
Shit, you have to tell her.
Ok. S, there is something I need
to tell you.
SEC 77. INT. J'S APARTMENT. NIGHT (CONTINUED)
J
Look, S, There's something I need
to tell you
The image freezes
J NARRATOR (V.O)
'Confession time'. In every
romantic movie there is always a
moment in which the leading role
feels the inexplicably necessity
of telling the truth. But not
always is that easy to
accomplish… Maybe an unexpected
phone call
We go back to the normal motion
J
S, there's something
A phone rings with an incredibly high tone
CUT TO:
J NARRATOR (V.O)
The pizza guy
J
72.
(MORE)
S, there is something I have…
The door opens and a guy with a red uniform and a pizza box
steps inside the apartment
PIZZA BOY
Two pizzas fruit del mare, 45
dollards
CUT TO:
J NARRATOR (V.O)
The roof mysteriously falls over
their heads
J
S, There is something I
The roof falls apart and nearly hit them. We can hear a
lightning and it starts to rain.
CUT TO:
J NARRATOR (V.O)
Or a hurricane invades the city
We can see that the room is invaded by a strong wind.
Everything is flying all over the place. S and J as they
try not to fly away grabbing all sort of objects
J
S. THERE IS SOMETHING I REALLY
NEED TO…!!
CUT TO:
J
It doesn't matter, I'll tell you
later
73.
(CONT’D)
(MORE)
SEC 78. EXT. URBAN STREET. NIGHT
J is going home after work. She has the skates over her
shoulders and she is listening music. Suddenly a man calls
her.
JOE
Ey
J starts to walk faster
JOE
Ey, I know you
J
No, I don't think so, man
JOE
Yes I do, but OH, Oh, God
Almighty! Now I remember! Look
what we got here. It is you, the
Brazilian girl of the bar. Wait,
eh, oh yes, Daniella, Daniella,
the poor little girl from that
little poor town. Yes, Daniella,
the whore who stole all my money
and sent that picture to my wife.
J
Shit
CONTINUED 65
SEC 79. INT. BAR. NIGHT (FLASHBACK)
We can see images of what happened
J ENTERS IN A BAR. Joe is sitting in one corner. He has
several glasses around him and he orders another drink. J
goes by his side.
74.
(CONT’D)
SEC 80. INT. MOTEL ROOM. NIGTH CONTINUES (FLASHBACK)
J is some motel room. JOE falls unconscious over the bed.
J take everything from the wallet. She takes some pictures,
she is on the top of joe. She writes an address in a
envelope. J leaves the room.
SEC 79. EXT. URBAN STREET. NIGHT (CONTINUED)
BACK TO THE PRINCIPAL SCENE
J
Seriously, I don't know what you
talking about
JOE
I LOVE YOUR REAL ACCENT, IS MUCH
BETTER. And I suppose your name
is not Daniella. This is funny.
One day, one ordinary day, you
find yourself in front of the
stranger who steals from you 2000
dolars, ends a 18 year marriage
and makes you lose your
apartment, and then, here we are
again. The same stranger appears
once more in front of your eyes.
And now it is when I wonder: But
is going to happen next.
J NARRATOR (VO)
And that is exactly what I'm
wondering. In real life this guy
could do certain things.
1: take me to the police station
and let me lock there for a
couple of years.
CONTINUED 79
75.
SEC 81. INT. POLICE STATION. NIGHT
JOE throws J againts the police officer's reception desk.
The police officers stamps a large pile of documents saying
"life imprisonment"
Some officers throw J into a tiny cell and lock the door.
J (OVER)
2. Ask me to give him back the
money and hit me
SEC 79. EXT. URBAN STREET. NIGHT (CONTINUED)
JOE is beating J badly. J is on the floor, trying to escape
or trying to defend herself from JOE.
JOE
Where is my money, bitch?! Where
is my money?!
Ok, maybe my fried will lose your
tongue
JOE shows to the camera a pocket knife.
J NARRATOR (OVER)
3: Hit me and rape me in
repayment
CUT TO:
JOE is trying to rape J as this one is trying to defend
herself from the attacker. A little boy who was chasing his
soccer ball is watching the scene. JOE stops and runs away.
J remains on the floor shaking.
CUT TO:
76.
J NARRATOR (OVER)
BUT in movies…
CONTINUED BACK
TO THE
PRINCIPAL
SCENE
JOE
Shit. I just want to say: Thank
you
J
What?
JOE
Thank you. Thank you, thank you,
and thank you.
JOE kisses J
J
OK
JOE
Thanks to you I was finally able
to get the divorce from that
bitch and quit that stupid job.
I'm painting now, just as I
wanted it all my stupid and
insignificant life, and … I even
met the love of my life. For the
first time I'm certainly, truly,
incredibly happy. And, Fuck, I so
happy to see you, how are you
doing?
J
Oh! mmmm…
JOE
Come, let's have a drink
J
Ok
77.
SEC 82. INT. IRISH TAVERN. NIGHT
JOE
So, how is your life? Still
stealing from nasty man
J
Actually, no, I don't, not that
much.
JOE
Ahhh, naughty girl
J
No, seriously, I'm with someone
JOE
OH, That's good, isn't it?
J
No, if you are with two
'someones'
JOE
Oh, I see.
J
Shit, I love s
JOE
Wait, is a girl? Shit, are you
fucking lesbian?
J
No, I love P too, I think, yes I
do. Shit, I'm fucked
JOE
Yes, you're fucked
J
Shit, I don't know what to do
JOE
78.
(MORE)
Well, I'm not an expert but there
is only one thing you can do.
J
What?
JOE
Tell them the truth.
J
You reckon?
JOE
Yes, it's better You'll be the
first one. This shit always comes
out. If they love you, they will
accept it or
J
Or what?
JOE
Or tell you to go fuck yourself
J
That's encouraging
JOE
Ey, come on, look at the
Brightside
J
Is there one?
JOE
If you don't release your sins,
you'll be never at peace
J
What? Are you a priest now? Shit,
I'm suppose you are right. But
I'll tried
JOE
79.
(CONT’D)
(MORE)
If you had tried, they'd already
know, and they don't, so my
suggestion is: try harder. Come
on, let's get pissed. For being
screw. cheers
J
Cheers
SEC 83. EXT. URBAN STREET. SUBWAY ENTRANCE. NIGHT
J is too drunk. She cannot see properly. She is going
towards the subway. She is at the stairs and she falls. She
is unconscious.
SEC 84. INT. HOSPITAL. URGENCIES QUIROPHANY. NIGHT
We can see several images of a medical intervention over
the unconscious body of J
The hands changes into S hands. We can see she is the one
that now is carrying on with the operation.
S changes into P. This changes between the doctors, S and P
appear constantly.
SEC 85. INT. HOSPITAL PATIENT'S ROOM. DAY (CONTINUED 1)
J opens her eyes. S and P are standing in front of her.
They look at her seriously.
FADE OUT
HANDWRITNG APPEARS ON THE SCREEN
WHAT HAPPEN AS J WAS UNCONSCIOUS
80.
(CONT’D)
SEC 83. EXT. SUBWAY ENTRANCE STAIRS. NIGHT (CONTINUED 2)
We can see J on the stairs bleeding. A young group passes
by without looking at her, they are laughing. In J's watch
appears it is 10:30 pm.
MATCH TO:
SEC 86. INT. P'S APARTMENT. NIGHT (CONTINUED 3)
It is 10:30 in the P's watch and he is preparing the house
for a dinner party. We can see his hands cutting the
ingredients and pouring water inside the pot.
MATCH TO:
SEC 87. INT. S'S APARTMENT. BATHROOM. NIGHT (CONTINUED 4)
We can see the water falling down. S is having a shower,
she is happy and she is singing. We cannot see her face.
RADIO (V.O)
It's 10:30 and it's time for a
new top 40 of KFM. "in da club"
50 cent
MATCH TO:
SEC 83. INT. SUBWAY ENTRANCE STAIRS. NIGHT (CONTINUED 2)
Is 11:30 in the mp3 player of the security man of the
metropolitan underground transportation. He is going down
the stairs listing to "in the club" of 50 cents with his
mp3 player carrying a paper bag from McDonald's. Suddenly
he stops.
WORKER
81.
(MORE)
Shit!
SEC 86. INT. P'S APARTMENT. NIGHT (CONTINUED 3)
An alarm sounds. 11:30. P's hands checks the contents of
the pot. Then he prepares the table with the dishes and
finally some candles
SEC 87. INT. S'S APARTMENT. NIGHT (CONTINUED 4)
We can see how the legs of S steps out of the shower and
walks to the bedroom. It is 11:30 in S's cell phone. Her
hand grabs the cell phone. She dials a number. S opens the
wardrobe and we can see the different dresses she has. She
picks up one red beautiful dress.
SEC 88. INT. WATCHES. NIGHT
We can see how in the different watches the hour is
changing till 1:30.
SEC 83. INT. SUBWAY STATION. NIGHT
The security guy is eating a cold burger.
SEC 86. INT. P'S APARTMENT. NIGHT (CONTINUED 3)
P is sitting in front of his marvelous dinner presentation.
The phone rings
MATCH TO:
82.
(CONT’D)
SEC 87. INT. S'S APARTMENT. NIGHT (CONTINUED 4)
The phone rings. S is sitting on her bed waiting all
dressed up she stands up.
SEC 89. INT. HOSPITAL RECEPTION. NIGHT
S arrives at the hospital.
P arrives at the hospital.
S asks in reception and she takes the first elevator.
P arrives at the reception.
SEC 90. INT. HOSPITAL WAITING ROOM. NIGHT
S and P are waiting in the same room in silence without
paying attention of the other. The nurse steps into the
room
NURSE
She is still sleeping but
everything is ok. You just have
to wait a bit longer but
everything is alright. Can you
tell me which one is your
relation with her?
S/P
I'm the girlfriend/boyfriend
83.
SEC 85. INT. HOSPITAL PATIENT'S ROOM. DAY (CONTINUED 1)
S and P are staring at J
J
What happen?
They both are silent
Appears on the screen: J+S+P= MESS
J
I don't know what to say
S
You don't have to say anything
J
Yes, I think I do. I have to
explain
S
There's nothing to explain
J
Yes, maybe not. But it doesn't
change anything.
S
It doesn't change? Why are you
laughing of me?
J
I'm not. I love you. That does
not change
S
You are fucking him
J
84.
(MORE)
I do, that's not the point
S
That's not the point? I don't
even know why I'm following this
conversation
J
Because you love me and I love
you. That doesn't change. Why is
so difficult?
Doctor
I'm glad to see you awake. You
had a good one, eh? You have to
be careful, lady
J
Yeah, yeah, I know. DO you mind?
We are in the middle of a
conversation here. Thank you
Doctor
I will be brief. You broke two
ribs, those are fixable. You just
need some rest. But you are
responsible of the health of that
baby. That is not fixable. Don't
you worry, everything is ok. But
you have to quit drinking and
smoking
J
Wha, I'm, I'm... pregnant?
Doctor
Yes, twelve weeks.
S leaves the room.
Doctor
Well, I leave you now. We talk
later
J is astonished. She is in silence. P is still there, he
was silence all the time. No one dares to speak.
85.
(CONT’D)
Suddenly P's cell phone rings.
P
I have to go
He is leaving. He stops at the door.
P
You were having an affair with a
woman?
J
No
P
No?
J
I was having the affair with you
P doesn't answer, he just walks towards the door. He stops
again
P
Do you love her?
J
Yes
P
Do you love me?
J
I'm not keeping it. I don't want
it.
P
What the fuck are you saying?
J
I don’t want it! It’s all your
fucking fault! Get out! I don’t
want to see you! Get out!
P finally leaves the room. J starts to cry
86.
SEC 91. INT. SMALL TV SET. INTERIOR LIGHT
We are back in the TV set of the beginning of the film. The
camera moves towards J as we are hearing the audience
clapping. J is sitting on her desk. Behind her there are
three big pictures of the 3 principal characters on their
actual situation
J NARRATOR
Ok. Welcome once more to 'how to
create your own romantic movie?'
Well, well, well. This is the
part we all have been waiting
for.
AUDIENCE(VO)
Yes!!
J NARRATOR
This is the moment, ladies and
gentlemen. Now our characters
that are really screwed in this
moment of their romantic lives
are going to be connected. Yes,
ladies and gentlemen. They are
going to be connected by a very
depressing but very romantic top
hit blockbuster song. And for
this moment I chose:
SEC 85. INT. HOSPITAL PATIENT'S ROOM. INTERIOR LIGHT (VIDEO
CLIP MOMENT)
J is in the hospital lying on the bed with a perfect hair
and makeup but keeping the bruises and the wounds.
The idea is that the singer of the songs appears singing
the song following the characters as in a MTV video clip.
AT the end of the video clip is going to appear the title
of the song, name of the artist and name of the album and
fade in-
87.
The song is "I believe I can fly"
The singer appears in the room singing. J stands up
SEC 92. INT. S's APARTMENT. DAY. Videoclip moment
J is in front of the main door of S's apartment. She has
her things on a box.
S is inside the room. She is eating some noodles. She looks
at the window with tears in her eyes. It is raining
outside.
SEC 93. INT. P'S APARTMENT. NIGHT. VIDEO CLIP MOMENT
P is on his apartment drinking beer.
SEC 94. EXT. OUTSIDE P’S APARTMENT. INTERIOR LIGHT.
VIDEOCLIP MOMENT
J is outside, she doesn´t dares to knock.
SEC 95. EXT.URBAN STREET. DAY. VIDEOCLIP MOMENT
J is walking on the street and she can see S and P
everywhere.
SEC 96. INT. HUNGRY JOE'S RESTAURANT. DAY. VIDEOCLIP
MOMENT.
J is in the kitchen. She has the new order of food
prepared.
88.
The restaurant is full with couples, straight and gay,
mothers with infants, everybody I happy and they start to
sing the song. J runs towards the exit.
S, p and J are walking on the street followed by this happy
crowd singing the song.
Dancing moment:The extras are dancing and singing.
SEC 97. INT. P’S APARTMENT. NIGHT
P is sitting on the floor drinking beer.
SEC 98. INT. S’S APARTMENT. NIGHT
S is sitting on the floor crying while she is eating
instant noodles
SEC 99. INT. J’S APARTMENT. NIGHT
J is sitting over the floor with a rubber tube on her hand
crying
SEC 100. INT . HOSPITAL. PATIENTS ROOM. DAY
J is laying on the bed crying. The song has ended. We can
see name of the song, artist and album.
FADE TO:
SEC 101. INT. J's APARTMENT. INTERIOR LIGHT
J dials S's number on the phone. We can hear how it rings
89.
SEC 102. EXT. EXTERIOR OF THE BUILDING. DAY
We can see S in on apartment and J in the apartment on top.
J is calling. S is not picking it up. S walks around the
flat. S puts loud music. We can only see these apartments
at the beginning.
J
Hello? S? Are you there? Please,
pick up the phone, I need to talk
to you
J
Please, pick it up, pick it up,s,
pick it up
J
I know I fucked it up, S, please
pick it up. I can hear you!
With the time we can see the rest of the apartments and how
everybody is living their own lives; watching Tv, on the
laptop, dancing, trying costumes, making love …
S decides to go out. We can see how S exits the building as
J is still with the phone
SEC 103.EXT. URBAN STREET. DAY
S is walking as she is crying. She searches something in
her pocket, her cell phone. She makes a call
S
Mr. Pelton? iT's … oh, ok. Sorry,
to call…all right. I just call to
say that … I've change my mind
90.
SEC 104. EXT. P'S APARTMENT. OUTSIDE. NIGHT
J is near P's apartment. She is going to talk to him, but
she doesn't dare. We can see she is going to knock and then
she rejects the idea and starts to walk through the aisle.
SEC 105. EXT. URBAN STREET. DAY
J is in her way to the clinic. While she is walking we can
see happy mothers with their infants, beautiful children
playing around. She arrives at the clinic main door
SEC 106. INT. ABORTION CLINIC. DAY
J is decides to do the abortion. She enters in the clinic.
She sits in the waiting room. In the clinic, all the women
are depressed: Tearful teenagers, bitter woman yelling..
NURSE
Biddle!
A blond sixteen year old girl is crying in agony while she
is moving across the room. The girl faints.
J decides to get out of the clinic with the documents
unfilled
SEC 107. INT. J'S APARTMENT.NIGHT
J is on the bed. On one side she can see her life with P
and the baby.
91.
On the other side can see her life with S. She doesn't
know what to choose.
J
Why everything is so wrong?
SEC 108. INT. HUNGRY JOE'S BOSS OFFICE. DAY
OLD FAT BOSS
Well, baby, you're out
J
What?
OLD FAT BOSS
Babe, you already knew it. Look,
the business is really bad. Even
with the new miniskirts
J turns her head
We can she a girl wearing a mini skirt incredible short and
open on both sides and all the men looking at her ass. The
same old man touches her butt.
We can see J's face again
OLD FAT BOSS
I cannot afford a maternity
leave. A man has to do what I man
has to do
J
But… And my contract?
OLD FAT BOSS
Baby, come on, we all know the
contracts are circumstantial.
92.
(MORE)
Sorry, hun but get the fuck out
of here.
SEC 109. INT. URBAN STREET.DAY
J is walking. On the street everybody is happy, happy
couples, mothers and kids.
J
Please, somebody shoot me
J grabs the phone
J
I need help
SEC 110. INT. IRISH TABERN.DAY
J is in a bar. JOE ARRIVES WITH SOME DRINKS
JOE
Double bourbon with coke and
cranberry juice for the lady
J
Joe, I'm fucked
JOE
Again?
J
This is serious
JOE
Come on, Hun, not everything is
so bad
J
93.
(CONT’D)
(MORE)
Well, I'm pregnant, my girlfriend
left me because I was fucking my
boyfriend, my boyfriend left me
because I was fucking my
girlfriend, I'm just being fire
from the worst job of my life and
I cannot work in any other place
because I'M PREGNANT!
JOE
Yeah, you are fucked, again.
J
Thank you
JOE
Come on, J. Look, you have to do
something, you cannot be here,
sitting down and always
regretting everything
J
I don't know which one I have to
choose. That's the thing
JOE
But, Do you have to choose? Why?
Look, everyone, you, me, the fat
guy of the corner, the mother of
the park with 5 horrendous kids
and the marvelous husband in the
office…we are all living in this
establish system of perfect happy
families and we don't even know
where the fuck had come from and
It never worked, really. so, why
don't you try your own system ?
J
I just, I don't know what to do.
I cannot choose
JOE
Then don't choose
J
Don't choose? Even choosing both
of them is a choice in itself
94.
(CONT’D)
(MORE)
JOE
Ah, yes. Look, I don't know what
the fuck we have to be so
analytic? Just go and tell them
you need them or you are going to
kill yourself one of these days
and I really cannot afford a suit
for the funeral.
J
mate
Joes
What?
J
First coherent thing you'd said
JOE
Go, fuck off. And good luck.
J
Thank you.
She steps outside. Her head appears on the door.
J
I love you
JOE
I love you too, babe
J finally leaves.
SEC 111. EXT. URBAN STREET. S'S OFFICE OUTSIDE.DAY
J is running on the street. She arrives at S'S building. J
goes inside
95.
(CONT’D)
SEC 112. INT. S'S OFFICE.DAY
J runs to the elevator.
J
Come on, your fucking idiot!
The people of the elevator stare at her
J finally reaches the floor in which S's office is
situated.
She cannot she S anywhere. Everybody is busy. OFFICE BOY is
on the copy machine. J goes to talk to him
J
I come to see S
OFFICE BOY
She is not working here anymore
J
What? why?
OFFICE BOY
She is going to London, she got
the promotion
J
Do you know when she is leaving?
OFFICE BOY
Apparently, and look how original
it is, today. She must be on the
way to the airport
J
What? fuck!damn!
96.
She starts to run. She turns to the boy
J
WHICH TERMINAL?
OB
1
J starts to run again. She turns to the boy
J
Thanks!
OB
Pleasure
SEC 113. INT. URBAN STREET.DAY
J is on the street.
J
TAXI!!
ShE GETS IN A TAXI
J
Thank you, to the airport
Taxi driver
Ok
J
97.
(MORE)
Stop! No!
Taxi driver
No?
J
Wait, how much is from here to
the airport?
Td
50 dollars
J
OH, OK, Thank you
The taxi driver starts the car. J
Opens the door and she is on the
street again and starts to run.
TAXI DRIVER
LEY! Lunatic!
J starts to jump.
J
Fuck!fuck!fuck!
People are staring at her
She starts to walk without knowing what to do. She checks
the time
SEC 114. EXT. URBAN STREET IN FRONT S RESIDENCE.DAY
S checks the time. A taxi had just arrived. S gets inside
S
To the airport, terminal 1,
please
SEC 113. EXT. URBAN STREET.DAY CONTINUED
98.
(CONT’D)
J is on the same street. She calls Joe.
J
Come on, pick it up, pick it up,
pick it up
Joe, it's me. I'm fucked, again
Joe
When not?
J
This is serious. She is leaving,
today.
Joe
So? Go
J
Yeah, that's the plan. But I
don't have money and I don't have
time to go to my place. Please,
tell me you have a car
JOE
No, my love
J
Do you know someone with a car?
JOE
My boyfriend, but he is out of
town
J
SHIT! WAIT, YOUR BOYFRIEND!? You
have a boyfriend? You, gay?
JOE
Yeah, I thought I told you. He
works in a gallery. I think I'm
in love
99.
(MORE)
J
Wow, how long?
JOE
6 months
J
Wow, man, congratulations. I'm
very happy for you, really
JOE
THANK YOU
J
How is his name?
JOE
Don't you have to go to the
airport?
J
FUCK!
J hangs the phone
JOE SMILES
J is walking but suddenly she stops. We can see her cell
phone and she searches one name: P
SEC 115. EXT. OUTSIDE TERMINAL 1 DEPARTURES ENTRANCE.DAY
We can see s arriving at the airport terminal 1. S closes
the door of the cab. The taxi driver is taking the suitcase
out. It is 4:30 pm IN HER WATCH.
SEC 116. INT. P'S CAR. DAY
100.
(CONT’D)
It is 4:30 on the car's radio. The door of the car is open.
We can see J on the street
J
Hello
P
Hello
J gets inside the car
P starts the car. They remain silence
J
Thank you
P
Don't
J
I don't know what else to say
SILENCE
CONTINUED
SEC 117. INT. TERMINAL 1 CHECK IN DESK. DAY
S is doing the check in
SEC 116. INT.P'S CAR. DAY CONTINUED
CONTINUED
101.
J puts some music on the radio
P
You never call me
J
I'd tried
P
No messages, nothing
J
I couldn't
P
Why?
J
Because… I don't know
P
Because, what?
J
Well, you came, it doesn't matter
P
Tell me
J
Because I was afraid you would
send me away
P
Why I was going to do that?
J
Why? You ask me why? Maybe the
fact I'm in love with another
woman is not a convincing reason
P
Are you?
102.
(MORE)
J
Yes, and..
P
And, what?
J
And I love you, fuck, I'm in love
with you and I having your baby,
I couldn't, and, I don't know
what to do and I love her, it's
too much, I feel bad, I feel…I
feel I'm not fucking sure
anymore… and, I'm pregnant, and
I'm going to kill it, he or she,
because I'm going to be a
horrible mother and
P stops the car
J
What the fuck?
CONTINUED
SEC 118. INT. TERMINAL 1 PASSPORT CONTROLS. DAY
S is passing the control. She has to take out this huge
boots.
SEC 116. INT. P'S CAR.DAY
CONTINUED
J
You want me to get off?
P
Look. I'm tired
J
103.
(CONT’D)
(MORE)
Ok
P
Can you stop for a minute? Fuck!
Look, I'm not sure of many things
but I know this. You are clever,
funny, extremely sweet, clearly
open minded, (J laughs) You don't
judge or critic others, of
course, you can be a pain in the
ass that snores horribly at night
J
What?
P
You do. And you don't think
before you act, I know, but I
cannot imagine other person more
suitable for being the mother of
my child. I love you and love you
means I want you to be happy, so,
let's go to the fucking airport
before you suffer a collapse
P starts the car and accelerates too much.
SEC 119. INT. CAFETERIA INSIDE AIRPORT TERMINAL. DAY
S is waiting sitting in front of the window watching the
planes, she see happy couples. On the screen appears the
announcement: BA678 LONDON GO TO GATE A6. S STANDS UP
SEC 120. EXT. OUTSIDE AIRPORT TERMINAL1 .DAY
J and P arrive at the terminal.
SEC 121. INT. INSIDE AIRPORT TERMINAL1. CHECK IN DESKS. DAY
They check the screen: BA678 BOARDING GATE A6.
104.
(CONT’D)
P shows his ID to the officer and they run through the
airport.
S is waiting a queue to precede the embarkation. J arrives,
P behind her.
J
Don't go
S
Sorry?
J
I said don't go
S
I heard you, but I don't
understand why I shouldn't
J
Good point. Why shouldn`t you?
Maybe you are right. I don't have
studies, I don't like noodles, I
don't have a job and I'm pregnant
because of him. I just love you.
Maybe is not enough, but that is
it. I love you. I love how I feel
when I'm with you and fuck, I
don't know, I can tell you all
that sweet bullshit from all the
movies I've seen, including
Kurdish ones, but, the thing is,
I just cannot stand the idea of
you away from my life. I need you
in my life. I need you both.
S is staring. The people is staring at the two of them.
S
You hurt me
J
I know
105.
S
No. You don’t
You hurt me bad, and I'm not sure
I'm going to overcome it. No, I
cannot trust you I cannot be
sure. I'm sorry, but I really
have to go. Sorry
S faces the embarkation gate and stars to walk. She is
facing the camera and we can see the tears falling from her
eyes covering all her face. A hand touches her shoulder and
she turns
CUT TO:
SEC 122. END CREDITS
J NARRATOR (V.O)
Well, this is it. Thank you for
watching. Tomorrow we'll be here
in another "how to create your
own romantic movie" Goodnight
SEC 123. INT. INSIDE SMALL TV SET.DAY
We are back in the tv set. There is a curtain behind J
J
Come on, I cannot do that
Well, we are basically at the
end. The question is: what is
going to happen?
a) S forgives J basically
b) S is still mad at J, she
flies to London and J wanders in
a life of self-destruction alone
and penniless filled with regret
and auto-compassion
106.
(MORE)
c) The country is taken by the
people from Matrix and a new
regime is settle down that avoids
human contact and personal
relationships
CUT TO
Appears an image and a voice IN OVER.
Voice OVER (V.O)
Now is the time. Please, send a
sms to 56783 with the answer a, b
or c followed by ending.
BACK TO THE TV STUDIO
J
And the answer is.
J opens the curtain slowly
There is a tv. On the tv there is a baby
SEC 124. INT. J'S APARTMENT.DAY
We can see the ceiling. J's face appears on the screen
We can see the baby again
J
Ummm
S face appears in the screen next to J
S
What are you doing?
J
Analyzing?
S
What?
107.
(CONT’D)
(MORE)
J
This thing is loaded
We can see the baby laughing on his bassinet
S
Please
J
Seriously, this thing is
dangerous, any precaution is
mandatory
J has nappies on her hand.P's face appears on the screen
next to J and S
P
Move, I can handle this
He removes the diaper from the baby, is all filthy
P (OFF)
ARGG,jesus!
P has the dirty diapers in his hand
P
Well. It wasn't that difficult.
Maybe you can try it some time
P drops the dirty nappy over his feet
P
Fuck!!Shit, sorry! AH, MAN!
J and S are laughing
J
Your idiot!!
108.
(CONT’D)
(MORE)
P
Shut up. Give me that.
The three of them are laughing. Suddenly, the baby urinates
shooting its liquid at them and they scream. The image
freezes
FADE OUT
APPEARS ON THE SCREEN:
J+S+P= LOVE
THE END
109.
(CONT'D)
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